媒体分类: 纪录片

  • How to Survive a Plague|瘟疫求生指南

    A story of two coalitions – ACT UP and TAG (Treatment Action Group) – whose activism and innovation turned AIDS from a death sentence into a manageable condition. Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time.

  • Freddie Mercury: The Great Pretender|弗莱迪·默克里:伟大的伪装者

    Archive footage of interviews, concerts and personal material bring to light the solo performance work of Mercury, the lead singer of Queen.

  • Chasing Ice|逐冰之旅

    When National Geographic photographer James Balog asked, “How can one take a picture of climate change?” his attention was immediately drawn to ice. Soon he was asked to do a cover story on glaciers that became the most popular and well-read piece in the magazine during the last five years. But for Balog, that story marked the beginning of a much larger and longer-term project that would reach epic proportions.

  • The House I Live In|我住的房子

    In the past 40 years, the War on Drugs has accounted for 45 million arrests, made America the world’s largest jailer, and destroyed impoverished communities at home and abroad. Yet drugs are cheaper, purer, and more available today than ever. Where did we go wrong?

  • Everything or Nothing|一切或一无所有:007不为人知的故事

    The story of three men with a shared dream: James Bond franchise producers Albert R. Broccoli and Harry Saltzman, and Bond creator and author Ian Fleming. It’s the thrilling and inspiring narrative behind the longest running film franchise in cinema history, which began in 1962.

  • Stories We Tell|我们讲述的故事

    Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending on their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

  • Crossfire Hurricane|火力飓风

    This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones’ unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in “Jumpin’ Jack Flash,” this film gives the viewer an intimate insight into exactly what it’s like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world’s greatest rock ‘n’ roll band

  • Bad 25|飙 25

    Spike Lee pays tribute to Michael Jackson’s Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.

  • Room 237|第237号房间

    A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick’s classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

  • The Act of Killing|杀戮演绎

    After befriending documentarian Joshua Oppenheimer, former Indonesian death squad leaders reenact their real-life mass killings in the style of various American film genres. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia’s 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.